Joel Keller is a freelance writer from New Jersey. He used to be an IT guy, but decided that writing about Gilmore Girls was more fulfilling. His writing has appeared in Jane, New Jersey Monthly, The New
York Times and Radar, among other publications and websites. He hopes he can write off an flat-screen TV as a tax deduction.
(S05E09) Let me start off by stating that any HIMYM episode involving the famous slap bet between Marshall and Barney is going to be funny. Just the act of Jason Segel's exaggerated slapping and Neil Patrick Harris' equally exaggerated pratfall in reaction is enough to get me rolling. I just wish the slaps weren't telegraphed so much in advance.
You have to remember that tonight is a sequel to the original Slapsgiving from two years ago. As sequels go, it's not bad; not as good as the original but satisfying nevertheless. But you knew at some point, Marshall was going to say "That's four!" and Barney was going to rub his face. So we have to examine the journey to get there. That journey started off well, but got a little predictable. Still didn't make the slap itself any less funny.
On Tuesday, we're going to be recording our weekly podcast. In honor of the return of NBC's Chuck on January 10, we're going to have Vik Sahay, who plays Buy More cog Lester Patel, on board to talk about the show's return and what fans can expect.
Last season ended with a bang, as most fans already know. Not to spoil anything, but the finale ended with Chuck saying the famous line from The Matrix, "I know kung fu." And, boy, does he ever. Sahay will be able to give us some insight into what's in store for the Buy More crew now that Chuck is going in a new and even more adventurous direction.
Have questions about for Vik about Chuck or anything else? Leave them in the comments and we'll relay them to Sahay during the podcast. We'll even give you credit for any question we use. So, ask away below. Any question we get in before we record the podcast tomorrow (time TBD right now) will be eligible.
(S06E11) You know a company is doomed when it parades Michael Scott in front of its shareholders as an example of its best and brightest. But, as we saw from Michael today, his sales skills only take him so far.
You really, really wanted to see him pull a plan out of that savantish mind of his that would have saved Dunder Mifflin. At least I did. But, thankfully for the show's writers, that was never going to happen.
The interesting thing about this episode, though? The shareholders meeting plot was just OK. What I really wanted to see was more of Jim devising ways to assert his authority around the office. That was much funnier, and it was a small reminder of what attracted people to the show to begin with: small, real-life situations everyone who's ever sat in a cubicle could relate to.
Not coincidentally, that date is the day after the 25th anniversary of her first nationally-syndicated episode, and she'll mark the anniversary on her last show. Bennett told WCCO that this decision was under discussion for months, but the decision ultimately came down to the big O herself.
If you haven't seen The Prisoner yet, you may want to skip the first fifteen or so minutes of this podcast, because we talk about the whole damn thing this week. Jason Hughes and Allison Waldman join me to talk about the AMC remake of the British cult classic, as well as these topics:
Another dip into our Ask TV Squad mailbag, where we discuss the use of laugh tracks and why multi-camera shows are written differently than single-camera shows,
As usual, the music at the beginning and end of the podcast is "Life" by Justin Trawick. Though I decided to add a small surprise at the beginning, a call-back to an interview I did a few years ago. Hope you enjoy it.
(S01E08) It does seem like we're still in the "unsteady footing" stage of this series, doesn't it? For every episode like "Don't Come Around Here No More," which shows the cast gelling and gives us the glimmer of hope that the show will become a really good ensemble, we have episodes like this one, which are at times funny and at other times irritating.
Commenters have told me to stop obsessing over the fact that Courteney Cox's character of Jules is at her most annoying when she's dealing with her "over 40" issues. But I just can't; that's when the show is at its most sledgehammer-in-your-face irritating, with Cox acting to the rafters. This episode showed that quite a bit -- I could have used less of Jules desperately trying to convince people she could pass for 34 -- but it also showed that, when Jules isn't worrying so much about her age, Cox does a pretty nice job of making Jules less of a cartoon.
(S05E08) Could it be that, after the whole season five build-up to the Swarkles relationship, everyone would more or less go back to normal by episode eight of season six? It seems that way, and I don't know how I feel about it.
Relationship Barney wasn't that pleasant to watch. Some of his patented awesomeness tried to come through but he was increasingly becoming a content guy, which is no good for comedy. But to see him immediately snap back to the way he was pre-Robin was equally jarring. Maybe that's the way it has to be for Barney ... I don't know. But, as funny as the exploration of Barn's playbook was, it felt like the last two dozen or so episodes never happened.
Oh, and it seems like Robin's quickly moving on too, so it's not all on Barney ...
Right now, I'm watching the Hayes family of TLC's Table for 12 chat with Regis and Kelly. It's not the first time we've seen them lately; since the second season of their show premiered, they've been all over the talk landscape.
We're definitely seeing them a lot more than when the show's first season debuted; in fact, TLC seemed to premiere the story of the Hayeses, who have two sets of twins and a set of sextuplets, on the QT last March. The relatively soft launch was a bit of a mystery to me, given the network's love of multiples. I mean, these guys had Jon and Kate beat by a mile, right?
But now that I look back at it, there were two things keeping TLC from really pushing the Hayes family back then: 1) Betty and Eric Hayes actually liked each other (read: they're boringly happy) and 2) Jon and Kate were still a couple. Now that J&K have exploded into a toxic tabloid mess, TLC needed someone to promote, and the Hayes' relative happiness seemed to be the perfect antidote.
(S06E10) This week we had a bit of a head-scratcher. I want to like this episode because of how it pushed the corporate end of the story along, and I want to like it because it showed Michael in a bit of a different light than we expected, especially at the end. There were also a couple of laugh-out-loud moments (especially one involving Creed... but, then again, Creed is guaranteed laughs).
But overall, the episode felt tentative. The writers set up the murder mystery part of the episode to offset some of the bad news at DM, but didn't seem to go far enough.
It was an eventful week in TV, especially for fans of Mad Men. This week, Jason Hughes and Bob Sassone join me to talk about the show's finale and what may be in store for next season. We also talk about:
Why November sweeps don't mean as much as they used to,
Another dip into our Ask TV Squad mailbag, where we discuss why we promote SlashControl and other AOL-related ventures,
(S05E09) Let me start off by stating that any HIMYM episode involving the famous slap bet between Marshall and Barney is going to be funny. Just the act of Jason Segel's exaggerated slapping and Neil Patrick Harris' equally exaggerated pratfall in reaction is enough to get me rolling. I just wish the slaps weren't telegraphed so much in advance.
On Tuesday, we're going to be recording our weekly podcast. In honor of the return of NBC's Chuck on January 10, we're going to have Vik Sahay, who plays Buy More cog Lester Patel, on board to talk about the show's return and what fans can expect.
(S06E11) You know a company is doomed when it parades Michael Scott in front of its shareholders as an example of its best and brightest. But, as we saw from Michael today, his sales skills only take him so far.
There had been lots of speculation that Oprah Winfrey was going to be giving up on her juggernaut of a syndicated talk show soon, but many of those rumors had been dismissed as negotiating ploys or some other silly rumor. Now, however, it seems like Oprah's departure from daytime is official: Tim Bennett, president of Harpo, confirmed that Oprah will announce on her show tomorrow that she will be ending the program on September 9, 2011.
If you haven't seen The Prisoner yet, you may want to skip the first fifteen or so minutes of this podcast, because we talk about the whole damn thing this week. Jason Hughes and Allison Waldman join me to talk about the AMC remake of the British cult classic, as well as these topics:
(S01E08) It does seem like we're still in the "unsteady footing" stage of this series, doesn't it? For every episode like "Don't Come Around Here No More," which shows the cast gelling and gives us the glimmer of hope that the show will become a really good ensemble, we have episodes like this one, which are at times funny and at other times irritating.
(S05E08) Could it be that, after the whole season five build-up to the Swarkles relationship, everyone would more or less go back to normal by episode eight of season six? It seems that way, and I don't know how I feel about it.
Right now, I'm watching the Hayes family of TLC's Table for 12 chat with Regis and Kelly. It's not the first time we've seen them lately; since the second season of their show premiered, they've been all over the talk landscape.
Andy Richter: The TV Squad Interview
Have any questions for Vik Sahay of Chuck? Ask them here!
Mike Henry and Daryl Hall on a Cleveland Show Thanksgiving
